IMG_1521.jpg

“The act of painting has taken me closer and closer to the natural beauty around me.”

Looking back now over all those years, I can see a consistency in my art floating between opposite poles as the pure traditional representation and complete abstraction. I was thinking again about the whole thing as people often ask me for a definite label of a style attached to my art. Should I be a realist, surrealist, abstract, expressionist, traditionalist or modernist or even avantgarde?

428 Organic abstraction, small 24 x 30 cm .jpg

I can clearly separate my production sporadically in 3 sections:

1-      Realistic representation made from photographic reference.

2-      Realistic effects recreated from live observation and memory.

3-      Surrealist or even abstract imagery created from pure improvisation.

The link I can see between them 3 is as a strong impression of living nature, the presence of the universe immensely macro and micro with an organic feel to it all.

Marcel_Desbiens_profile 4.jpg

Then I realise my interest is purely compositional and the style or subject, or lack of subject has no importance. Therefore, I can enjoy painting either from life, from a photo, from my imagination and memory and even from nothing at all. The result is consistently a representation of form and colours placed together in harmony for the pleasure of the eyes and the mind.

 

SOLO EXHIBITIONS

2018   Lethbridge Gallery, Brisbane

2016   Lasting Impression Gallery, Kenilworth

2011   Lethbridge Gallery, Brisbane

2009   Gallery 2120, Brisbane

2008   Gadfly Gallery, Delkeith, Perth

2007   Delshan Art Gallery, Modern Art, Melbourne

2007   Gadfly Gallery, Delkeith, Perth

2006   Delshan Art Gallery, Modern Art, Melbourne

2005   Maria Perides Gallery, Brisbane

2004   Delshan Art Gallery, Modern Art, Melbourne

2003   Musee Louis Hemon, Peribonka, Quebec, Canada

2000   Galerie la corniche, Chicoutimi, Canada

1997   Delshan Art Gallery, Modern Art, Melbourne

1996   Valerie Cohen Fine Art Gallery, Sydney

1996 Jan Murphy Gallery, Brisbane

1994   “Le moment présent”, Ipswich Regional Gallery

1992   “De la fiction à la réalité”, Travelling exhibition

1992 Centre culturel de Dolbeau, Dolbeau, Canada

1992 Salon du Conseil régional de la culture, Jonquière, Canada

1992 Promenade du Vieux-Québec, Québec, Canada

1985   Caisse Populaire de Sherbrooke-Est, Sherbrooke, Canada

1983   Galerie coopérative des arts visuels, Chicoutimi, Canada

1980   Galerie Menasen, Sherbrooke, Canada

1975   Café de la Cour, Québec, Canada

 

GROUP EXHIBITIONS

2023 Finalist in The Clayton Utz Art Award, Brisbane

2023 Finalist in The Kenilworth art prize

2023 Finalist in The Lethbridge Landscape Art Prize

2012-2023, 20,000 Lethbridge prize, Brisbane

1996 to 2018 Tattersall’s Club Landscape Prize, Brisbane

2016 to 2023 Brisbane Grammar School Art Show

2015  Sunshine Coast environmental art award

2002-2023 Combined Brisbane Rotary Club Brisbane

2012  Mortimore Prize

2006-07 The Black Snake Art Award, Queensland

2005   Whyalla Art Prize, South Australia

2005   Works for the blues, Brisbane          

2005   Reflections of life, Art Prize, Brisbane

2002   Warwick Art Gallery Art Prize          

1999   Verlie Just Town Gallery, Brisbane

1999 Western Gallery, Toowoomba

1998   Alice Bale, Art Award, Melbourne

1998 Ex. Cat. Smith & Stoneley Gallery, Brisbane

1998 Redlands Art Awards, Cleveland

1998 The Gold Medal Art Show, Melbourne

1995  “The Sky is the Limit”, The Contemporary Art and Design Gallery, Brisbane  

1995  “When Angels Prey”, The Bauhaus Art Gallery, Brisbane

1994   “Drawing Connection”, Metro Arts, Brisbane

1993    “Crossing”, BEMAC – Institute of Modern Art, Brisbane

1988    “Living Nature”, Natural Sciences Museum, Ottawa, Canada

1984    Centre international d’art contemporain, Paris, France

   

 

AWARDS

2023 First prize The Kenilworth art Prize, Queensland

2007  First prize, Best of show, The Black Snake Art Award, Queensland

2006  Best Landscape, The Black Snake Art Award, Queensland

2004  Commended, Tattersall’s Club Landscape Prize Brisbane

2003  Best Oil or Acrylic, Art Spectacular, Brisbane

1996   First prize, Tattersall’s Club Landscape Prize Brisbane

1994   First prize, Moreton Shire Exposition, Ipswich

1989 Le prix d’excellence, Concours national des arts visuels, “Rencontre parallèle » Montréal, Canada

 

PUBLIC AND PRIVATE COLLECTIONS

Brisbane Grammar School collection

Domtar Inc., Dolbeau, Québec, Canada

Musée Louis-Hémon, Péribonka, Québec, Canada

Hotel de ville et Centre sportif, Girardville, Canada

Minto Construction Ltée, Ottawa, Canada

First Provincial Building Society, Ipswich, Australia

Caisse Populaire de Sherbrooke-Est, Sherbrooke, Canada

Caisse Populaire de Girardville, Girardville, Canada

Rydges Hotel, Southbank, Brisbane, Australia

Tattersall’s Club, Brisbane, Australia

Ehime Women’s College, Ehime, Japan

Maharaji Center, Amaroo, Queensland, Australia

Robina Hospital, Queensland , Australia

Mural dyptique, Sport Centre Girardville, Canada, 2 sections of 10’ x 20’ each (3m. x 12m.)

Commission in a private house, Hawthorne, Qld, 2.4m. High x 8m. Long

Commission in a private house, Broadbeach Qld, 3.5m. High x 8m. Long

Mural Chermside Library, Concept, design, supervision and final coat in cooperation with a high school art students group, 2.4m x 10m.

Commission for Delshan Gallery’s client, Melbourne, 1.5m x 2.5m

Murale Environment Centre, Jardin Scullion, Lac St Jean, Canada